Russian-born and Austin-based, Yevgenia Davidoff holds a BFA from the School of Visual Arts and an MA from the Fashion Institute of Technology.

Davidoff’s practice begins with close attention to things easily overlooked: roadside plants, household routines, and the packaging left behind after a meal. She casts discarded containers in cement, preserving their shapes and traces of use as a record of domestic life. Paired with painted plants, glass, and light, these forms become intimate frescoes, sculptural shrines, and larger installations that invite viewers to look closely and move around them. Her work traces how choices made at home connect to wider systems of production, waste, and ecology. Across scales, she treats care as a practice of returning, noticing, and tending—one that might extend beyond the household to the living world it depends on.

Davidoff’s work was selected for CraftTexas 2025 at the Houston Center for Contemporary Craft, juried by Abraham Thomas of The Metropolitan Museum of Art. With collaborator Carlos Carrillo, she was selected for the 2024–25 Texas Biennial and a 2026 exhibition at the UMLAUF Sculpture Garden + Museum. Her work is carried by the Lady Bird Johnson Wildflower Center and has been featured in Apartment Therapy and DesignSponge.